Posts

Showing posts with the label Shakespeare's Blood

MACDEATH

Image
Four authors are observing the 400th anniversary of Shakespeare's death by showing off their Bard-related mysteries. I'm going to focus on one at a time, so this week it's Cindy Brown's Macdeath . Here are some things I like/love about the book. *It's a cozy--amateur sleuth, small cast of characters who all know each other--but it never descends to the silliness I despise in some cozies. People act like real people (even if they are all actors). :) *It takes place in a theater. Anyone who knows my drama director background can guess I'd like that. *The play Macbeth is woven into the story. Anyone who knows my English teacher background will know I loved that. *The main character is real. I felt like she was someone I've known, or might have. *The author has a sense of story. I particularly liked the connection between the first line and the last. *...and who doesn't love that title? Makes me wish I'd thought of it! Here are the other th

Blood & Guts in Mysteries

Image
 In classic Greek theater, violence happens offstage. If someone's going to kill himself, he tells you so then exits. If the hero and the bad guy engage in a duel to the death, they'll thrust and parry "stage right and exeunt." Only one will return. It's partly good taste, the belief that audiences shouldn't have to see such things. I suspect the other part is more practical: a good death scene is difficult to stage--and what do you do with the corpse afterward? Shakespeare takes the easy way many times, too. People come in carrying dead bodies, like Lear bearing poor Cordelia; or parts of them, as Macduff does with Macbeth's head. Easy to make a fake head, not so easy to make it appear the head of a living actor is being separated from his body. Today we have all kinds of tricks to make on-stage deaths look real. If you've seen the Three Musketeers decapitate the evil Milady just as the theater goes dark, or the trick of light in Les Miserables t