Peg Herring, Mystery Author

  Last week, Amazon decided that I'm not the author of one of my books. My first reaction was to make a joke about it on Facebook. Then I sent Amazon a happy little note assuring them that Maggie Pill and Peg Herring are one and the same person. I got the identical email a second time. In the meantime, my FB friends made suggestions, some facetious, some not. A lawyer friend said to get a DBA (Doing Business As) for Maggie Pill and send them a copy. That would be a great idea if I weren't in Florida. I called the county clerk for my home in Michigan, and they won't accept an application that isn't signed by a Michigan notary public.  Another author said she'd had the same problem. She'd sent Amazon an email from her pen name's email address, saying that she had the right to make changes on the book. I did that, also sending a copy of said email in reply to theirs, so they had one from "Maggie"  and a copy of it from Peg. No dice. This time, I di

 I sent my next book to the copy editor a few days ago, which for me is a major turning point. It's a commitment of sorts; the book that for a looooonnnnngggg time has been only mine is close to being offered to others. I've certainly talked about it at length to friends and family, but no one has read it except my first-draft beta reader, my content editor, and me (many, many times). And yes, I do pay three different people to critique a manuscript before I inflict it on the public. Sending a book to the copy editor indicates that it's in its final narrative form, so now it's her job to find the silly stuff that would take away from readers' enjoyment: spelling errors, extra commas, etc. Once that's done, it will be formatted and prepared for print, e-book, and audio offerings. In other words, I'm saying I don't intend to make substantial changes anymore, and that's really hard for me. Any time I look at past work I think, "I could have done t

 People love to tell you what you should do. I guess it's part of being human. Many suggestions are horribly wrong, and they can feel almost willfully so. I saw a post on social media recently asking for book recommendations. The poster wanted to read about an era of history, but she specified she wanted a standalone book. She got no less than three recommendations for series that are "really good." As my writing career lurches along, I get lots of advice on what I should be doing. My first books were historical, but then other ideas came along. I wrote contemporary mysteries and what I call 'vintage' mysteries set in the 1960s. As a result, Peg Herring's books are scattered through various mystery sub-genres, and of course there are fans who would like more of this type or that. "You should write more ---" Maybe some authors can churn out endless books of one type. I can't. When I decided to try writing a cozy mystery, I invented a pseudonym, no

 Note to audio fans: Deceiving Elvera is in the works for an audio book. The whole industry seems to be slowed by COVID 19, but I'll let you know as soon as I know.                                                                 How Writing Changes Reading  I have a friend who's a book reviewer, and she and I often talk about how reading changes a person's reading (if that makes sense, you're a reader). When you start as a kid and read for, say, five decades, you bring a lot of background to each new book you pick up. It's hard for an author to surprise you or entrance you, because you've seen it all before. I recall my daughter telling me how wonderful the Harry Potter books were, so I read the first one. My thought was, "Cute, but hasn't anyone read The Once and Future King ? Being an author is likely to make a person even more of a picky reader than a past filled with books. Writers see plot lines developing, because we've done that ourselves.

    Novelists are liars. As one of my contemporaries likes to say, "We make shit up." The bad part of lying is why you do it. For writers, it's about entertaining readers. Fiction in a story is harmless in most cases, though I get frustrated with historical novelists who twist facts to suit their story. They don't care if readers (who aren't generally historical experts) conclude that so-and-so wasn't really the villain the history books portray but was actually kind of a pussycat.  Outside of books, lies take on a more treacherous role. We grew up bombarded daily with commercial advertising, and while some of us learned to think through the hype, others buy products they have no need for because they succumb to the tricks liars play. When I taught high school, I asked students to dissect ads looking for two things: what the specific goal is and how the ad makes its appeal. Often advertisers trigger a person's insecurities so they'll buy a product. (Be

 It happens to me sometimes. A reader mentions a character or a scene in one of my books, and it takes me a second to find it in my memory. Oh, right, Caroline, the protagonist in Somebody Doesn't Like Sarah Leigh. I remember her--kind of. https://books2read.com/u/4AgVOq The thing is, authors move on. We have new ideas. We dream up new people. But there's no way to tell when a reader will find a book, read it, and get excited for more. My first book was published in 2006. I just saw online where someone ordered it. Yay...but how much of Macbeth's Niece do I even remember? https://books2read.com/u/m0xYdY My newest book, Deceiving Elvera, released on Friday. There are ads for it everywhere, and the introductory price is a bargain, so readers are talking about it. One beta reader suggested I could make it a series. Um, no. Some books are meant to be stand-alones, and this one is...big-time. https://books2read.com/u/38RZoB The other day a fan wrote to say she wished Maggie P

Today I sent a newsletter to over two thousand readers, telling them about the book that will release on December 4, DECEIVING ELVERA. I also bought an ad on Facebook, letting readers there know how to pre-order the book. Terror. I'm gripped with terror, I tell you! Why? Because it's a little like navigating a minefield, this publishing thing.  *The print cover looks great on Amazon, but it's wonky on Draft 2 Digital (see spine above), and I haven't yet figured out why. *I have a FINAL final review copy on the way, so I might find a few leftover errors that will now have to be fixed on several sites before December 4th arrives (actually it's earlier than that, because they need time to get the files changed. More like November 30, then.) *Over the past week, I've slated ads with a half-dozen sites like Great Books, Great Deals and Kindle Daily Nation, so their readers will see the cover and read a bit about the book. Each one is different, and I dread that I mig

 Many writers will agree that the Corona virus has been horrible but also helpful. Afraid to go out, unable to do what we once did, what can we do besides write? Since the virus hit big-time, I've published two books (one as Maggie Pill, one as myself) and worked on one that's been a couple of years in the works and is now with the copy editor for its final corrections. Hoping that will come out before the end of the year,  I teased you with the cover above. The downside to Corona for me is mental. With that and other national concerns, I've had trouble concentrating for any length of time, which means my work gets done in fits and starts. When I stop each day, I feel like the work is disjointed, but when I go back the next day and start reading, it's not. It's one of those, "it's not you, it's me" things. I'm writing the same as usual, but stress makes me feel like things aren't right. And what am I writing? A book called THE CUTEST LITTLE

The Kidnap Capers is a three-book series starring Robin and her "hoods," who take down crooks by unorthodox, often humorous methods.  Book 3 will be out on September 1st, so we're trying to settle on a cover. I'd like input from readers on what's eye-catching and gives the sense of a humorous but suspenseful story. Here are their covers (these are for the audio books because that's what I can find right now): Keeping the red/black theme, we got these two possibilities. They'll be fine-tuned once we choose a basic idea. If we skip the idea of coordinating colors, I like this one too: Please tell me which cover you prefer, or choose elements that work for you that might be incorporated into a new cover (e.g., "I like the lettering in X but the picture in Y.")

We sometimes hear writing described as precious , which, according to one definition I found, is some combination of 1. self-absorbed – the author inserting his own personality too much in the narration. 2. autobiographical – the story is about something that changed the author’s life, turned into fiction. 3. trying too hard to make the text sound nice/pretty 4. trying too hard to effect a style Last night I dumped a book after about 20 pages for reasons I can't pinpoint except to call the writing precious . I felt like the author was standing at my shoulder, asking, "Didn't I describe that character completely? Isn't she stunningly beautiful?" Every character was described in great detail before he/she ever said a word. In addition, they might just as well have worn signs that said, "LIKE ME" or "DON'T LIKE ME." The "good" characters were perfectly beautiful or incredibly handsome, and the "bad" characters had bea

That's a poem by Shel Silverstein, but sometimes I feel that way about my books. I was packing for a book signing on Saturday, and I simply can't haul all of my books (and Maggie's) along anymore. I ended up taking a suitcase full, leaving it in the car, and checking with Horizon Books to see which books they already had. That way I only had to bring a few books from the car to the store, since Traverse City is a bit of an obstacle course all summer long. Gawking tourists (and I'm not complaining, since I've been that person many, many times), dogs, kids, cars, and protestors make the streets an adventure. Luckily, Horizon Books carries my work in good quantities, so I was able to navigate the streets with only a small tote bag containing the newest release. But back to the too many kids thing. I once heard a very famous author comment that it was frustrating for him when people asked questions about his older books. "I forget them as soon as I write them,&qu

I'm going to share something authors talk about among themselves but are wary of speaking openly about. While most authors are great at public events, there are some who shout the rest of us down, claiming what they offer is "the best book you'll ever read!" Examples: A guy who stationed his wife at the door so she could lead people to his table (past four other authors). The one who hollered at each new customer, "Come on over here and let me tell you about my book!" as they came into the room. The woman who practically moved into my space so she could tell my customers about her books. These people ignore differences in readers' expectations and the variety of tastes concerning plot, character, writing styles, etc. Their book fits all, and the other authors present are chopped liver. The saddest part is that it sometimes works. Every other author in the room is offended, but readers are nice people, and once these loudmouths have them cornered, the

I reported recently on the reversion of the Simon & Elizabeth Mysteries, my historical series, to my own again. When you sign with a publisher, they get the rights to a book or series for X number of years. They're professionally edited, and the publisher builds an audience that can speak for their quality. Downside: the cost is high due to people other than the author needing to make a profit. When I got Simon's stories back, I got new covers and re-published the series at a much lower cost. Now Loser will get the same treatment. The Loser Mysteries center on a homeless woman who finds herself involved in solving a murder. From the beginning I knew it would be a 3-book series, since the stories begin with her at her worst and follow her recovery from trauma. The books are beloved by a certain set, and many suggested I might extend it, but once Loser is back to (almost) normal, I felt that further stories would only have presented more murders to solve. There were too f

Amazon is great for authors. Their print book division, CreateSpace, has been very helpful for me in publishing books on my own, either from Day One or when the rights revert to me from a publishing contract. Recently the news came out that CreateSpace will be going away, and KDP, Amazon's ebook division, will take on both print and ebooks in the future. I decided to convert my books to KDP now rather than later. It's pretty easy if the book is already in CS, though one needs to pay attention to the details. In the process, I did some updating, including altered covers and even new covers for some of my books. Above is Shakespeare's Blood , the old version on the left and the new one on the right. I'm going to do a print version, which I hadn't done before, and that one will have the cover on the right as well. I like having Mercedes featured and like it lighter, both in mood and actual light. I still might make some changes in placement, depending on how the

Research shows that the word free is one of the most compelling in the English language. Everyone wants something for free, even if they don't need it. And we know that nothing is really free, right? Still, if you're a mystery reader, you can get a free e-book right now using the link below. I joined with a group of mystery writers who offer their book free for a very limited time in order to get attention and interest. The "free" books will usually  require you to submit your email address, which means you'll get a newsletter from the author at some point. I don't think that's a huge price to pay, because you can always unsubscribe if you don't want more of them. I chose KIDNAP(.)org as my giveaway, and I put up 500 copies. They're already half gone, so I think it's going well. I'm at work on the second book of the series (of at least 3), so if you enjoy the free book, it won't be long before you can read further adventures of this

As a reader, you feel a point where you're inside the story, at least if you and the story are sympatico . When you get a good book that happens almost immediately. I recently read MERCY DOGS by Tyler Dilts, which was recommended by a friend, and I fell into the story right away. I liked the protagonist. I empathized with his situation and his father's. I was interested in the mysterious disappearance of his renter. I wanted to know how they were all going to end up. I love it when that happens. For me, writing a book has that same moment. Intellectually I know I'm going to write a story that comes floating into my head, but emotionally, it often doesn't click until I'm in the middle of actually writing it down. I'm at work on the sequel to KIDNAP.org, which got nice attention from people in the book industry as well as readers. I knew I wanted it to be a three-story arc, and with my editor's suggestion, I figured out what the 2nd and 3rd books would de

I'm not a big reader of science fiction , but I love it when it's well done. (Michael Crichton comes to mind.) Good sci-fi writers explore interesting social questions while constructing cool plots about things that haven't happened...yet. My complaint with SF is that all too often the story ends with "and now we must kill the aliens before they kill us." The last few chapters are the all out battle for the survival of our species, with lots of things blowing up and gallons of green blood spilt. That's not my thing. In the most recent example I read, the story began well, with questions about how time travel would actually work and what the resulting physical and mental problems might be, but it ended up with monsters pouring out of the portal and lots of shooting. We started with questions and ended with an arcade game. SF isn't the only predictable genre, which is why genre fiction has a bad name with literary folks. Who hasn't started a romance

I wrote recently about re-releasing my historicals now that I have the rights from the publisher who originally launched them (2 down, 2 to go!) I explained that they have to have different covers because the original ones aren't mine. There's another book I'd like to tell you about, but we have to talk about some additional things. First, sometimes a book title just doesn't work. You might have seen FORMER TITLE on some of your favorite authors' novels (Did you know that Fitzgerald almost called his book Among Ash-Heaps and Millionaires? I think THE GREAT GATSBY is a better title! ) Titles aren't etched in stone, and if one doesn't work, the smart thing to do is change it. The book I once called A Lethal time and Place is a good example. I realized over time that it sounds scary and dark, while the story is whimsical and fun. Hence a new title, NOT DEAD YET... The same is true with covers . The cover artist listened to my ideas and did as I asked, bu

I've been a little scattered for the last few months, so my workday jumps from book to book. I was stalled on the sequel to KIDNAP.org, but I think the breakthrough is close. I got the audio files (Authors have to listen to the whole thing and okay it before it's released.) and as I listened, I got inspired to continue the story of Robin and her gang of non-hoods. The narrator, Megan Scharlau, is excellent, and that's what I needed to get busy and finish the half-done manuscript from last summer. Audio will be available by the end of January Maggie has another Sleuth Sisters going (release date is March 23 if I recall correctly and it's up for pre-order on Amazon). It's been sent out to beta readers who'll tell her what needs tweaking. A fan wrote to say that Maggie missed a book when she published to the non-Amazon sites, which meant only Amazon had Sleuthing at Sweet Springs . A day was spent last week getting that fixed. I did a boxed set of The Dead

...you'll often wish you'd spent more time making it better. ...you'll want to keep your day job. ...you'll be surprised how little your friends and family care. ...you'll find out how many people don't read books like yours--or don't read at all. ...you'll learn that typing THE END is only the beginning.