Peg Herring, Mystery Author

...and reciting. My mother was a great reader of poems, and she always had a book of them nearby. A Child's Garden of Verses was one of my favorites, but there were many more, and as we grew older, the poems grew more complicated: Poe, Whittier, Masters, and Dickinson. Later she discovered Shel Silverstein, and she read his work to her kids at school, unaware that some of them were banned for promoting cannibalism ("Someone Ate the Baby") or other silly non-reasons. My dad was a reciter of poems, and he had a million of them. They were generally less literary than mom's, and from time to time he got scolded for choosing ones with words like poop in them or topics we were too young to understand, like marital infidelity. (No, I didn't get it, but I liked the fact that Mom was afraid I might.) They made me a life-long lover of poetry, and I actually use poetry to calm myself down. If I can't sleep, I recite some of the two-dozen or so long poems I memori

Thanks, George Michael! My version of that question doesn't apply to "Star People" but rather to series books. How many books can a series contain before it gets stale? I guess it depends on the writer, and to some extent on readers. Some series characters I have stuck with for a long time, like Lee Child's Jack Reacher, Sue Grafton's Kinsey Millhone, Sara Paretsky's V.I. Warshawski, Dean Koontz' Odd Thomas, and Michael Connelly 's Harry Bosch. Some books are more memorable than others, but in the end it's the main character that brings me back when the next book is released. I will admit in at least one case above I recently reached my limit. I'm tired of the character and have no curiosity about what the next adventure is. Some series characters grow and change, and some don't. Harry Bosch moves through time, falling in love, gaining a daughter, rejecting change, and recently retiring from the police force. Grafton takes a different a

My first release, now in audio: Macbeth's Niece This month I'm answering questions I often get at personal appearances. Today's question is "How long does it take to write a book?" That's a little like "How many angels can dance on the head of a pin?" It's part practical, part philosophical, and mostly unanswerable. We all know authors who take years to write a book. Some of them are quite self-righteous about it, copping a "you can't rush genius" attitude. I'm no genius, so I can't say if that's true. I've noticed, however, that the rest of us are writing as fast as we can, and while it used to take two years minimum to get a new book out, most publishers are fine these days with more than one a year. That can lead to some loss of quality, and readers with an editor's eye bemoan the modern tendency to rush to get a book out. Still those same readers go on Facebook or Goodreads and wonder when Author X is

https://www.amazon.com/Killing-Silence-Loser-Mysteries-Book-ebook/dp/B00A87IAQG I'm on vacation for September, so for the blog I thought I'd address some questions people ask at personal appearances. QUESTION #1 Where do you get the names/inspiration for your characters? Often from real people I know. I need an image in my head to create a character. (Brag here: one site said last week that my characters are people you think about long after you finish the book. YAY!) I start with someone I've known--perhaps a coworker or a former student--and imagine how that person would react to the scenario I'm creating. I always add when I admit this that those people NEVER stay real. As soon as I have a firm picture in mind, the character becomes a whole new person, with his own personality, attitudes, and personal details. For example, Verle in the Loser Mysteries started out as a man who was sort of my second dad, since I practically lived at his house as a kid. Readers

Okay, I made that word up, and I never studied German, so don't criticize! There should be a word for wanting something good to read but not being sure what you want or able to find it. Apparently what I want to read isn't very popular right now. I've been sick of serial killers for years, but that's mainly what Amazon offers when you type in mystery . I'm also sick of protagonists who aren't much better than the criminals they seek. I gave up on two books this week. In one the protag shared his client's cocaine with him and spent waaaaaay too much time describing the physical attributes of the sleazy, slimy women the client surrounded himself with. In the other, every cop was corrupt and every lawyer was shady to the point I was sick of all of them. I've never been much for books where the mystery takes second place to something else, like growing kumquats or shopping. I'm disappointed by books where the killer comes totally out of the blue

Why Do You Write Mysteries? I get asked that question a lot, so I've thought long and hard in order to be able to come up with a good answer. Here it is. I don't really know. Why do you read mysteries? might be a place to start. If we can agree that we read mysteries because we enjoy having a puzzle to solve, like seeing characters tossed into unusual and often dangerous situations, and feel satisfied when everything works out in the end, then I guess the logical extension of that, at least for someone who likes to write, is attempting to create her own  mystery. I like coming up with unique characters: a homeless woman, a dead P.I., a famous princess/queen. I like salting the plot with clues, both false and real. I like filling in details once the main story is in place and adding subplots like the relationships among sisters or the joys of growing up in a small town. I get to know my characters through a series, so my mind stops me if I try to make a woman or even a dog

Unless an author writes only police procedurals and P.I. novels, the question of why the protagonist gets involved in the mystery is present. I've never in my life wanted to investigate a murder, and I'm guessing most readers would say the same. We trust the police to do an adequate job, and while we might grumble that they didn't turn every stone in a specific case, we seldom jump in to help. If you're going to write a mystery with an amateur sleuth, he or she has to have a reason to get involved that departs from what is good behavior and good sense in real life. Loser wants to help the father of a little girl who reminds her of her daughter. Caroline is suspected of killing her former best friend. Many authors choose to have their protag or someone close to him as the suspect . This is certainly a driving force, as long as the rules of logic are applied. If you're accused of murder, are the people involved in the case likely to sit down