Peg Herring, Mystery Author

Muskegon Book Festival 7/17 Some might have a mistaken idea of how author appearances go. I know I did way back when. I thought I'd sit at a table at the front of the bookstore and people would come in, see me, and say, "Oh, my, what have you written?" I'd tell them a little about it (it's called a pitch, and you practice it) and they'd say, "Sounds lovely. I'll take one--no, make that two. My sister likes mysteries too." As the girl says in A Chorus Line , "That ain't it, kid." Some ask you where the bathroom is. Some ask if you can recommend a good children's book for their granddaughter. Some ask if you carry the Wall Street Journal. Some walk in a half-mile circle to avoid passing close enough for you to speak to them. Some tell you about the book they're going to write when they get time. Some tell you about their second cousin, who wrote a book about her near-death experience and her talk with Jesus, wh

I've been seeing ads on my Facebook feed lately that claim to help you generate plots for your novels. I guess my question would be "If you haven't got a plot, why do you want to write a novel?" A novel needs a plot, a reason to exist. As a reader I get tired of  some "literary" novels that tell a lot about how a person feels and how he got that way without the person ever doing anything interesting. Many books that are hailed by critics as "stunning" and "evocative" fail to hold my attention because nothing happens. Even a plot where things happen will disappoint me if those things are unbelievable or disappointing. A main character who kills had better have a reaaaaaalllly good reason for it. And both the murder and the resulting events must be logical. Here are some examples that disappointed me, despite the author's skill with words. I fully admit I'm in the minority here, because all of these were successful books; some

I've been at this for a while now, and I've seen the publishing world undergo drastic changes . When I got my first contract with a traditional publisher, that was the way to go, because books published by an author in what was then called "vanity publishing," were expensive to produce and almost certain to fail. That changed when two things happened: a few brave authors (e.g. Hugh Howey) began working to understand and use the system to their benefit and Amazon made it (fairly) easy and definitely cheap to publish books. My time with traditional publishers was extremely valuable. I learned about the need for good editing, good cover art, and good resources for promotion. On the downside, I learned I had few options once I signed a contract, and the financial reward for my work was a long time coming and not nearly as much as people imagine when they plop down $26.00 for a hard cover book. Now that I'm sort of independent (I've stuck with one of my pu

One of the things authors need to recognize is that books don't just take off and become bestsellers. Some lie around for months, even years, waiting to be noticed. We're encouraged not to neglect our backlists, but it's difficult when there's something "NEW! NEW! NEW!" to talk about. That's been the case with the Loser series, which ended a couple of years ago. Killing Silence is one of my favorites among my books. I love the protagonist, Loser, who is homeless and damaged but not down and out. The idea that homeless people are counted out of society, ignored by most and assumed to be incapable of paying attention, makes her a perfect sleuth. The publisher of this series has decided to make Killing Silence free on Kindle for May 29-31. I'm really excited about this, since I think freebies are a great way to introduce a book to new readers. If you've already read the book, you can help by passing the news on to your Kindle-reading friends

From time to time, authors pick up on readers' opinions, either directly ("I hate that cover!") or indirectly ("That sounds too scary for me.") I learned from listening that readers didn't consider one of my books because the cover looked dark and the title seemed harsh. Hence, a new title and a new cover: The old title was GO HOME AND DIE, and the old cover looked a little like a thriller, with two figures silhouetted against a city skyline. At the time I thought it was okay, but when I looked at the book honestly, it's more girl meets boy, grows up a little, and solves a murder along the way. If you haven't tried it, here's the link so you can download a sample and see if HER EX-GI P.I. doesn't bring back some '60s memories for you. Here's what you might want to know about Peg and her work: Writes: Mysteries, mostly. There's suspense and death but no graphic violence, sex, or language. Unique Qualities: In each

I should get outside for a while. Oh, but I have to put on all those clothes! Okay. I'm dressed in a coverall and boots with two hats and enormous mittens that open up so I can use my fingers. I can barely move, but I'm ready. Oh, but I have to get into my snowshoes! Okay. Got the snowshoes on and tightened up the toe strap, the arch strap, the heel strap and whatever that fourth one is for. Oh, but how do I get down the porch steps in these things? Okay. Went down the ramp--easy-peasy. Off I go, walking a little like a duck with a hernia. Oh, but when I leave the first wood and come out into the field, that wind bites! Okay. Back in the woods again. Quiet, peaceful. (Well, except for me panting with exertion.) Here's where I'm likely to see animals, often deer and always squirrels. My path circles the woods, crossing a small, seasonal stream on a log bridge that's a bit of a challenge on snowshoes. Trees overhead squeak as they're forced toget

We all know that comparisons spice up speech and writing. There are similes, which use "like" or "as." Tennessee Ernie Ford had a million of them. One of my favorites is "She's as nervous as a long-tailed cat in a room full of rocking chairs." And there are metaphors, like "Love is a battlefield." Well done, comparisons imprint on the reader's mind. Really good ones make me pause to appreciate the creativity involved. But there are also badly-done comparisons. Some are just tired: He was as dead as a door nail. Others are new  but not necessarily effective: She looked like my cousin Maxine when she's hung over. I have a program that shows me where I've used trite sayings in a manuscript. Sometimes I keep them, like if a character is the type of person who talks that way. Other times I take them out, wondering how they slipped in in the first place. Here are some deliberately bad comparisons, just for giggles. The lit