Posts

...and Then the Monsters Showed Up

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I'm not a big reader of science fiction , but I love it when it's well done. (Michael Crichton comes to mind.) Good sci-fi writers explore interesting social questions while constructing cool plots about things that haven't happened...yet. My complaint with SF is that all too often the story ends with "and now we must kill the aliens before they kill us." The last few chapters are the all out battle for the survival of our species, with lots of things blowing up and gallons of green blood spilt. That's not my thing. In the most recent example I read, the story began well, with questions about how time travel would actually work and what the resulting physical and mental problems might be, but it ended up with monsters pouring out of the portal and lots of shooting. We started with questions and ended with an arcade game. SF isn't the only predictable genre, which is why genre fiction has a bad name with literary folks. Who hasn't started a romance

Authors in Strange Situations

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Nobody tells you that promoting the books you write requires you to be adaptable and have a sense of humor. We picture authors jetting all over the country, sipping champagne and telling adoring fans about their latest novel, but that's not reality for the vast majority of us. I loved the story one author told about arriving at a bookstore where he had an audience of one. The fan told him he'd really liked the book, though he admitted he might not have chosen to read it except, "It was the only one they had in solitary confinement." I haven't met any ex-cons who are fans (that I know of), but I have ended up in strange situations. I want to state here for the record that I am EXTREMELY grateful to libraries and bookstores who allow me to come for a Sit & Sign or, even better, a talk. However, it doesn't always go the way one might imagine. *** There was the library where they'd booked two events at the same time in the same room. The othe

Another Oldie Reborn

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I wrote recently about re-releasing my historicals now that I have the rights from the publisher who originally launched them (2 down, 2 to go!) I explained that they have to have different covers because the original ones aren't mine. There's another book I'd like to tell you about, but we have to talk about some additional things. First, sometimes a book title just doesn't work. You might have seen FORMER TITLE on some of your favorite authors' novels (Did you know that Fitzgerald almost called his book Among Ash-Heaps and Millionaires? I think THE GREAT GATSBY is a better title! ) Titles aren't etched in stone, and if one doesn't work, the smart thing to do is change it. The book I once called A Lethal time and Place is a good example. I realized over time that it sounds scary and dark, while the story is whimsical and fun. Hence a new title, NOT DEAD YET... The same is true with covers . The cover artist listened to my ideas and did as I asked, bu

Everything Old Is New Again

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My first published books were with Five Star Publishing, which went out of the mystery business a while back. They were very good to me, but my Simon & Elizabeth Mystery series is now mine again. When an author gets her rights back, it means she can do what she likes with books that were once under someone else's control. It also means that she has to re-do everything: covers, formatting, setup, and publishing. Amazon and Draft2Digital make this less painless, but that doesn't mean it's easy. Still, there are advantages for me and for my readers. First, I get more of the profits. That might not matter to you, but the man in my life approves! Second , I can release the books in paperback. Over the years people mentioned that hardcovers, though nice, are expensive, and I agree. I just didn't have any say in the matter. Third , prices are better. Because I'm doing this as an indie, I set the price for both paperback and e-books. (Haven't looked into audio

What Are You Working On?

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I've been a little scattered for the last few months, so my workday jumps from book to book. I was stalled on the sequel to KIDNAP.org, but I think the breakthrough is close. I got the audio files (Authors have to listen to the whole thing and okay it before it's released.) and as I listened, I got inspired to continue the story of Robin and her gang of non-hoods. The narrator, Megan Scharlau, is excellent, and that's what I needed to get busy and finish the half-done manuscript from last summer. Audio will be available by the end of January Maggie has another Sleuth Sisters going (release date is March 23 if I recall correctly and it's up for pre-order on Amazon). It's been sent out to beta readers who'll tell her what needs tweaking. A fan wrote to say that Maggie missed a book when she published to the non-Amazon sites, which meant only Amazon had Sleuthing at Sweet Springs . A day was spent last week getting that fixed. I did a boxed set of The Dead

If You Publish...

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...you'll often wish you'd spent more time making it better. ...you'll want to keep your day job. ...you'll be surprised how little your friends and family care. ...you'll find out how many people don't read books like yours--or don't read at all. ...you'll learn that typing THE END is only the beginning.

What You See Is What You Expect

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We "get" what we're told, shown, and subjected to over our lives, but in the best of times, changes come along that make us think. Thinking is good. When I was a kid in the '50s, it was perfectly okay for my school to put on a Minstrel Show, where kids in blackface acted (usually overacted) their perceptions of black people. Few in our rural area had met anyone unlike ourselves, and I recall watching as older kids had a great time shucking, jiving, and acting stupid--the way they perceived black folks. My mom was once given a box of books, and being an inveterate reader, I worked my way through them. One was a joke book, and I enjoyed the anecdotes about Goldfarb, Wisenstein, and other city dwellers with odd names. They were all self-absorbed, bossy, and overly concerned with money. It wasn't until years later I realized the characters in those "jokes" were all Jews, and the laughs were meant to come from the assumption that all Jews were conniving c