Peg Herring, Mystery Author

In the minds of many, a book tour is a glamorous thing, but like most everything else, reality is more prosaic than poetic. There are authors who draw crowds of adoring fans, like Rick Castle always does on the TV show. (BTW, I wish I had a quarter for every time someone asked me if I think Nathan Fillion really writes those books. PulEEZE!) Most of us don't draw crowds; in fact, we're happy for every person that shows up. A speaker at Sleuthfest, the conference I attended in Florida last week, described arriving at a bookstore to find every audience chair filled, only to have them empty when it was announced over the loudspeaker that his presentation was about to start. He learned the homeless of the area were allowed to come in out of the cold and sit in the chairs, but they knew they had to leave when his talk began. Not only did he have an audience of only one person, he was responsible for the rest being tossed out into the cold! People also imagine that publishers arr

Looking way too serious before the panel If you're not a writer, don't ever get caught in a group of them. The discussions are never-ending, and we love them, even if we've heard them a thousand times before. I sat on a panel Saturday that discussed writers' dilemmas and how to solve them. After sharing a few of our own problem areas, we asked the audience to share theirs. We could have stayed all day. The funny thing is that in the final analysis, they're the same. How to overcome a stalled story (I recommend a break, even if it takes a week or two). How to cut to a reasonable word count (I listen to the MS read by my computer. Others read it aloud to themselves or to others). How to beef up a MS that's too short (I added a subplot; others add a secondary character). How to recognize your "personal errors," those things we all do that irritate readers (I use SmartEdit, which points out how many times I used the word just or how many sentences

Yes, I do. I'm not Alexander McCall Smith, who writes a book every two months, but I do okay. Some people get all huffy if an author publishes more than one book a year, but there are some reasons why that's possible, even desirable. First, we might have written a lot before we got published. While a lot of early work is practice and  should never be seen by the eyes of the public, other bits are worthwhile. Maybe a good book idea got shifted to one side because of deadlines and never got finished or re-worked or ended (It's taken me years to figure out how the sequel to MACBETH'S NIECE is supposed to go. I think we're close.) Maybe an author's worked on it a bit at a time for years and it's finally ready to go into the queue. Second, some of us haven't got much else going. We're retired, so work isn't distracting us. We're past the age where a night of bowling or even a day of shopping tugs us away from the work.  We don't have a lo

There was an article in the Sunday paper yesterday about a young man who'd chose self-publishing. He had a cute idea for a children's book, and after being rejected by traditional publishers, he went to work and got it together himself. And ordered 1000 copies of the book. I wish I'd met him before that point in his brand-new career. Here's my understanding of the scam some "helpful" publishers use to make money off earnest, unknowing writers: They "help" you publish your book, charging you every step of the way. They encourage you to buy a bunch of copies because "When this thing takes off, you're going to want them on hand!" They often charge the author full or nearly full price per book, so he gets no profit unless he jacks up the price, making dutiful friends and relatives shell out more than they should for a book in order to be supportive. Bookstores don't want them, because people don't want to pay big bucks for a b

If you know someone who writes, you might have noticed her idea of fun is different from that of other people. An invitation to go shopping might be answered with, "I have a chapter that just won't work out right, so I think I'll stay home and work on it." Conversations all turn into analyses of publishing. And don't think about asking what she's working on if you don't have half an hour to listen to the Next Great Idea. Two things authors enjoy are talking about books with other readers and talking about books with other writers. I did both those things recently, so I count it as a great week. First, I visited Petrolia, Ontario, where a lively group of readers listened to my spiel on mysteries, offering their own suggestions as we went. The library is in an old train station, and the town itself is charming. I highly recommend visiting, and I have promised to return (in summer, of course. Everything is better in summer!) The Petrolia visit was

I manned the Midwest Mystery Writers of America table for a while, with the able assistance of E.A. Poe I returned last night from Magna Cum Murder, a mystery conference held in Indianapolis, IN at the beautiful Columbia Club. One can safely say that a good time was had by all, and the organizers, led by the indefatigable Kathryn Kennison  do a great job of making everyone feel at home. Since I've attended many Magnas, I saw lots of authors I've chatted with, dined with, or sat on panels with in the past, either at Magna or at other cons. Molly MacRae, Sarah Wisseman, Sharan Newman, Tony Perona, Albert Bell, Dan (D.E.) Johnson, John Desjarlais, Monica Ferris, Ann Margaret Lewis, Carla Norton, Elaine Orr, Carol Preflatish, Lori Rader-Day, and Brenda Robertson Stewart. Among those authors you will find a wide array of mysteries, from woo-woo to cozy to deadly serious. What does one do at a mystery con? If you're an author, you sit on panels and discuss wh

Someone asks me this about once a week, so I thought I'd attempt an answer. I just finished the final edit for the 4th Simon & Elizabeth mystery, Her Majesty's Mischief . If you've been paying attention, I had some trouble choosing a title for this one, and readers gave me some great suggestions. I chose this one because it has a double meaning. Simon is sent to Scotland to try to determine if Mary, Queen of Scots is hatching mischief in the form of revolt against Elizabeth, now Queen of England. In his absence, Elizabeth hatches some mischief of her own, secretly sending Simon's old friend Calkin to investigate a murder in Simon's family. Both endeavors lead to trouble, of course. I have no release date yet for that one, but they said I'll get Advance Review Copies in December, which means it should come out about two months later. I will let readers know through my newsletter, so if you aren't signed up, you can text 22828. It will ask for a passwor

Newcomers to writing often comment on how nice everyone is. Writers give each other advice. We share successes and failures. We explain the piece we're presently working on (sometimes in too much detail) with little thought that someone will "steal" our ideas. (You can try, but it will still be a ton of work for you.) In a field where every new book adds to the dizzying amount of competing works, one might think that writers would hide their secrets, keep the means of success to themselves when (if) they stumble on it, and perhaps even mislead naive newbies in order to send them in the wrong direction. That doesn't happen. Maybe because of how difficult it is to get published, most writers feel an empathy with others that causes them to ignore the prospective competition and give advice that's as helpful as possible. Have a question for an author? Just ask. It's likely she will share what she knows (unless she has a deadline looming). Why are we so nice? Wh

Every writer who ever left her house has encountered aspiring writers. Some have a finished manuscript. Some have an idea. Some have a vague notion they'll write a book when they get around to it. Most writers are polite, but what we think, hint at, or sometimes even say is "It's hard. Writing is hard. Publishing is hard. Promotion is hard." Many things in life seem easy from the outside. Writing is one of the big ones, and here are 9 reasons why. Writing takes talent.     There are certain people who shouldn't do certain stuff. (For instance, I should not be any kind of a medical professional.) Wanting to write a book doesn't make you capable of doing it. Writing takes skill.     If you paid attention in English classes, great, but the skills of writing need to be developed. Studying writing can be as simple as reading a lot, but you have to think about what you're reading, why it affects you or doesn't, and how you might write something simi