Peg Herring, Mystery Author

At first, writers write in a vacuum. We go to whatever place works for us and we write--for hours, days, weeks, and months. If we’re lucky, we produce a book. That’s the last time we’re alone with it. If you like a book, here’s who to thank--in addition to the author. The Beta Readers : Authors write from inside their heads, but beta readers help us see what needs more explanation or less. They find those crazy little factual errors that ruin a book. Their feedback turns one person’s story into something many can enjoy. The Editors: A finished story needs content editing, copy editing, and line editing. In every case but one (long ago), I’ve been lucky to work with good ones. Sometimes it’s difficult. At first I skim the comments out of the side of one eye. Then I walk away for a while. Phrases like “How dare she?” come to mind, but after a day or two, I go to work to fix the manuscript. The Cover Artist : Covers are supposed to attract a reader’s eye and give him

Some things you need to accept: 1. You're not as good as you think you are. Other people have ideas as good as yours. In fact, it's hard to be truly creative with all the stories that are out there. Others write as well as you do too. Admit it, and you'll be easier to be around. 2. You're going to work harder than you expect to be successful. There is no Book Fairy who sprinkles shiny stuff on your work and gets everyone to notice it. There's no way to get readers to pay attention if they don't want to. There are things you can do that actually turn readers off, like constantly telling what a great book you've written. 3. Nobody knows what works. If there were a formula--well, there isn't. Badly written books get to be Best Sellers and really good books get rejected by publishers or lie languishing if they do get published. 4. Writing well isn't easy. Note the qualifier. A monkey can sit down at a computer and produce something. An author kn

3 Current Series: Upper left, Loser Mysteries. Upper right, Simon & Elizabeth Historical Mysteries. Lower left: Dead Detective Mysteries. Somebody Doesn't Like Sarah Leigh is a stand-along mystery. Publishers love series . They invest in an author's work, and series mean they can reap the rewards of that investment more than once. Readers love series . It's nice to know that characters we love are going to come back and visit us again, telling us about their latest scrapes. Writers love series--to a point. It's comfortable to slip into the minds of characters we've already created. We know how they think, what they'll do. (Even if we don't, we can look back at the books that came before and refresh our memories.) The problem with series-writing is keeping it fresh . Writers don't want their characters to "jump the shark," but it's obvious to me from reading some series that authors find it difficult to tell when they've r

No, I'm not talking about book settings, though they're important and wonderful when done well. I'm talking about YOUR place in the world of writing. If you're published, you probably already have an idea of where you fit, and it probably bothers you a little that it isn't where you'd like to be or where you thought you'd be. If you're not yet published, you should spend some time thinking about where you will fit in once you show your work to the world. Before publication, many writers have an inflated idea of the importance of their work. I'm approached all the time at book signings by people who claim they have the next bestseller in mind or in progress. The fact that they tell me about it is a hint that they don't know the process at all. There's hope in their eyes, a fantasy scenario where I grab them by the arm and say, "Wow! I need to tell my agent right away about your completely awesome idea." Well, I won't. In

Every once in a while, I update readers here, because so often I get questions about "What's next?" Here's a rundown: The Loser series is finished, at least for now. The first two are out as audio books. The third is in the pipeline, but the narrator is at university and just had a baby, so she's asking for patience. The Simon & Elizabeth series will have one more installment (#5), but it's going to be a while. I'm slow and so is the publisher of this series. (To their credit, they like to get it right.) The Dead Detective series will have its final story sometime in early 2016. The manuscript is not complete, but the story's down. The Sleuth Sisters series book #4 will probably be next. It's in my head but not written down anywhere yet. My new/old standalone mystery about the death of a friendship in northern Michigan is out. (It used to be just an e-book but I rescued it, got a new cover made, and arranged for print cop

The weekend was great. Lots of people come "home" to our tiny town for the Fourth festivities, so we ran into old friends everywhere. The question often came up, "What are you working on now?" Short answer: the 4th Dead Detective Mystery, but it's been interrupted a lot by the other three in the series. The first book The Dead Detective Agency, was published in 2011, the second, Dead for the Money , in 2012. Then the publisher got overwhelmed and didn't move forward with Book 3, even though it was edited and ready to release. At the beginning of this year, I asked for the rights back (the contracted time was up) and went about re-releasing the books with new covers, which you learned about last week if you're a regular reader. (I don't want people to re-buy the books, thinking they're new.) Now it's time to finish Seamus' story, so my first priority is Dead to Get Ready--and Go , in which he will investigate his own murder. Its rele

In the minds of many, a book tour is a glamorous thing, but like most everything else, reality is more prosaic than poetic. There are authors who draw crowds of adoring fans, like Rick Castle always does on the TV show. (BTW, I wish I had a quarter for every time someone asked me if I think Nathan Fillion really writes those books. PulEEZE!) Most of us don't draw crowds; in fact, we're happy for every person that shows up. A speaker at Sleuthfest, the conference I attended in Florida last week, described arriving at a bookstore to find every audience chair filled, only to have them empty when it was announced over the loudspeaker that his presentation was about to start. He learned the homeless of the area were allowed to come in out of the cold and sit in the chairs, but they knew they had to leave when his talk began. Not only did he have an audience of only one person, he was responsible for the rest being tossed out into the cold! People also imagine that publishers arr

Looking way too serious before the panel If you're not a writer, don't ever get caught in a group of them. The discussions are never-ending, and we love them, even if we've heard them a thousand times before. I sat on a panel Saturday that discussed writers' dilemmas and how to solve them. After sharing a few of our own problem areas, we asked the audience to share theirs. We could have stayed all day. The funny thing is that in the final analysis, they're the same. How to overcome a stalled story (I recommend a break, even if it takes a week or two). How to cut to a reasonable word count (I listen to the MS read by my computer. Others read it aloud to themselves or to others). How to beef up a MS that's too short (I added a subplot; others add a secondary character). How to recognize your "personal errors," those things we all do that irritate readers (I use SmartEdit, which points out how many times I used the word just or how many sentences

Yes, I do. I'm not Alexander McCall Smith, who writes a book every two months, but I do okay. Some people get all huffy if an author publishes more than one book a year, but there are some reasons why that's possible, even desirable. First, we might have written a lot before we got published. While a lot of early work is practice and  should never be seen by the eyes of the public, other bits are worthwhile. Maybe a good book idea got shifted to one side because of deadlines and never got finished or re-worked or ended (It's taken me years to figure out how the sequel to MACBETH'S NIECE is supposed to go. I think we're close.) Maybe an author's worked on it a bit at a time for years and it's finally ready to go into the queue. Second, some of us haven't got much else going. We're retired, so work isn't distracting us. We're past the age where a night of bowling or even a day of shopping tugs us away from the work.  We don't have a lo

Now available in print, e-book, and audio                                                                                                                                                                             Killing Silence on Amazon There's been a lot of discussion on mystery readers' sites lately about books like Gone Girl and The Girl on the Train. Some pan them because the protagonists aren't very likeable; others claim they brilliantly reflect the realities of life. The fact that The Gold Finch won literature's highest reward indicates that reflecting reality is a big deal for the important voices in publishing and reading. I read The Girl on the Train last week, and I have to say it was well done. I was drawn into the woman's blurry world, and I guess I understand better now what it's like to be an alcoholic, promising yourself you'll do better tomorrow while you pour yourself another drink today. I never read Gone Girl , having heard th

I'm a member of EPIC, the Electronically Published  Internet Coalition. I've only been  to this conference once, but it was productive,  and I love San Antonio. They're a great group, so I told them I'd help with publicity. (TA-DA!)   Please join us in the lovely city of San Antonio,  Texas for EPICon 2015 *EPICon- Bringing ePublishing Partners Together* March 13-14th, 2015 The Menger Hotel, San Antonio, TX Sponsored by the Electronic Publishing Industry Coalition REGISTRATION IS NOW OPEN! Enjoy two days of all things ePublishing. With workshops  for any author or publishing professional, this short period will be packed  with information, news, and most importantly: education. Authors, old and new,  will have the opportunity to learn about small press ePublishing and network with publishers, editors, and experienced published authors. For 2015, we have a full schedule of educational and informative workshops for authors and publishers, with gu

If you know someone who writes, you might have noticed her idea of fun is different from that of other people. An invitation to go shopping might be answered with, "I have a chapter that just won't work out right, so I think I'll stay home and work on it." Conversations all turn into analyses of publishing. And don't think about asking what she's working on if you don't have half an hour to listen to the Next Great Idea. Two things authors enjoy are talking about books with other readers and talking about books with other writers. I did both those things recently, so I count it as a great week. First, I visited Petrolia, Ontario, where a lively group of readers listened to my spiel on mysteries, offering their own suggestions as we went. The library is in an old train station, and the town itself is charming. I highly recommend visiting, and I have promised to return (in summer, of course. Everything is better in summer!) The Petrolia visit was

I tend to book fewer author events once October is gone. In the first place, the tourists have returned home, at least the ones who shop for books. Visitors who come north in the fall and winter tend to have goals like skiing or snowmobiling, so they don't visit bookstores much. In the second place, people who live up north start heading south. Michigan bookstores don't host many authors outside the summer months because there just isn't the return on the time invested. In the third place, the weather is full of surprises, so booking a trip to Traverse City or Grand Rapids is a bit of a crap-shoot. Will I be able to get there, will it be a nail-biting ride, and will anyone else show up if I do make it? In the fourth place, I need time to focus on writing. I plan one more Dead Detective book (though #3 has yet to appear). I got the cover art for the 4th Simon & Elizabeth (left), which comes out early in 2015, and I'd like to do one more of those. And my Maggie Pil

I manned the Midwest Mystery Writers of America table for a while, with the able assistance of E.A. Poe I returned last night from Magna Cum Murder, a mystery conference held in Indianapolis, IN at the beautiful Columbia Club. One can safely say that a good time was had by all, and the organizers, led by the indefatigable Kathryn Kennison  do a great job of making everyone feel at home. Since I've attended many Magnas, I saw lots of authors I've chatted with, dined with, or sat on panels with in the past, either at Magna or at other cons. Molly MacRae, Sarah Wisseman, Sharan Newman, Tony Perona, Albert Bell, Dan (D.E.) Johnson, John Desjarlais, Monica Ferris, Ann Margaret Lewis, Carla Norton, Elaine Orr, Carol Preflatish, Lori Rader-Day, and Brenda Robertson Stewart. Among those authors you will find a wide array of mysteries, from woo-woo to cozy to deadly serious. What does one do at a mystery con? If you're an author, you sit on panels and discuss wh

This weekend I'm headed to Magna Cum Murder, a mystery con that's fairly close to home (only 7.5 hours!). Magna is organized by the folks at Ball State University, and it's a great place to see old friends from the mystery community and meet new ones, especially fans. From Friday p.m. until Sunday, we'll discuss our favorite genre, bemoan the current state of publishing, and enjoy being with people who get it, who know how much fun it is for very nice people to read, write, and talk about violent death. I'm on two panels. On Saturday I'll be discussing historical mysteries with Sharan Newman, Albert Bell, Sarah Wisseman, and C.J. Norton. Historical discussions often focus on how much research an author should do and how much inclusion of history in a mystery is enough...or too much. My Simon & Elizabeth Mysteries got me on this panel, and since the fourth book of that series ( Her Majesty's Mischief ) is due early in 2015, I'm pleased to be there.

Someone asks me this about once a week, so I thought I'd attempt an answer. I just finished the final edit for the 4th Simon & Elizabeth mystery, Her Majesty's Mischief . If you've been paying attention, I had some trouble choosing a title for this one, and readers gave me some great suggestions. I chose this one because it has a double meaning. Simon is sent to Scotland to try to determine if Mary, Queen of Scots is hatching mischief in the form of revolt against Elizabeth, now Queen of England. In his absence, Elizabeth hatches some mischief of her own, secretly sending Simon's old friend Calkin to investigate a murder in Simon's family. Both endeavors lead to trouble, of course. I have no release date yet for that one, but they said I'll get Advance Review Copies in December, which means it should come out about two months later. I will let readers know through my newsletter, so if you aren't signed up, you can text 22828. It will ask for a passwor

Newcomers to writing often comment on how nice everyone is. Writers give each other advice. We share successes and failures. We explain the piece we're presently working on (sometimes in too much detail) with little thought that someone will "steal" our ideas. (You can try, but it will still be a ton of work for you.) In a field where every new book adds to the dizzying amount of competing works, one might think that writers would hide their secrets, keep the means of success to themselves when (if) they stumble on it, and perhaps even mislead naive newbies in order to send them in the wrong direction. That doesn't happen. Maybe because of how difficult it is to get published, most writers feel an empathy with others that causes them to ignore the prospective competition and give advice that's as helpful as possible. Have a question for an author? Just ask. It's likely she will share what she knows (unless she has a deadline looming). Why are we so nice? Wh

I've been slogging through edits of the second Maggie Pill Sleuth Sisters book, which for me means listening to one computer read the book aloud while I make corrections on a second computer. (It's complicated.) I was doing pretty well (halfway) when I opened my e-mail and found the copy-edited MS for the fourth Simon & Elizabeth book, Her Majesty's Mischief , with a deadline for its return. Deadlines make me nervous, and I'm tempted to drop my current task and work on the new one. I can do this. Hanging over my head somewhere is the third Dead Detective book, Dead for the Show . The publisher told me they'd like to get it out before the end of 2014 or at the very latest, early 2015. That means the copy-edits for that book should be showing up soon, too. I really can do this. Copy-edits aren't that bad. The big changes have already been made, so I just have to look at little mistakes they found and okay changes. For example, I had a character placing hi

One of the crazy things about being an author is the wide disparity in what's expected of you. The writing part requires long hours of--well, writing. Composing, revising, re-writing, and editing take time and concentration. On the other side of the coin, you're expected to promote your work in order for publishers to have anything to do with you. That means public appearances where you smile a lot and try to stir up interest among readers. I don't mind the public stuff, but it often feels like time I might have spent writing. Let's say I sign up to visit a bookstore on Friday (This Friday it's Purple Tree Books in Cheboygan, MI.) There's no way to tell if there will be people in the bookstore. If the sun is shining or if it's raining really hard, probably not. There's no way to tell if they'll be mystery readers, either. So two or three hours plus travel time gets me no guarantees that I'll even meet a prospective buyer, much less convince him

I know I've said it before, but it looks like this time Loser #3* really will release on August 9. If you're signed up for my newsletter (below on the right side), you'll be reminded when it's available on Amazon, and I'll post on FB when I have actual copies in O-town and for signings. My itinerary is posted here, just above this box, so you can track me down in various places if you want a personalized copy. *Killing Despair is the third and probably final book in the Loser Mysteries. Though I love Loser and have enjoyed sharing her adventures, right now there's no continuation that does her justice in my head. I refuse to write a book just because a series is doing well, because it's too easy to get stale and repetitive. Loser was broken in Killing Silence, better but a long way from healed in Killing Memories . In Killing Despair she faces the things that almost destroyed her and comes to a sense of peace about it all. I hope you have enjoyed her jo